The new series “Platonic,” featuring Seth Rogen and Rose Byrne, explores the complex dynamics of friendship through the eyes of two old college pals, Sylvia and Will. Set against the backdrop of modern life, the show delves into their interactions, revealing that while their bond is strong, they do not harbor romantic feelings for one another.
Sylvia quickly becomes appalled to learn that Will’s friendships with other men are much more wild and raunchy than hers. This contrast creates a compelling tension to their dynamic. It gets at just how differently they’re able to socialize. Will confesses to his crush on a young sandwich-maker. This dramatic surprise introduces a pivotal romantic subplot that drives the tension throughout the rest of the series.
“Platonic” has rightly been referred to as a hug of a show, notable for its low-stakes situations and sharply noticed comedy. The show’s greatest asset was its playful subversive twists that threw the audience for a loop but kept it out of claustrophobic melodramatic territory. Sylvia and Will rely on each other, delight in their shared experiences, and occasionally irritate one another, showcasing a genuine understanding that resonates with viewers.
Carla Gallo, as Katie, Sylvia’s wisecracking mom-friend, brings another deliciously comedic funk to the storyline. Beck Bennett (Saturday Night Live) rounds out the core cast as Wildcard, adding his inventive, improvisational sass to the overall blend. He’s most famous for his tenure on “Saturday Night Live.” The dynamic between these visual novel protagonists brings complexity to the narrative, proving once again that friendships in adulthood can often be more complicated than they seem.
Will’s romantic subplot is a great addition, the question looms as to if the series can keep audiences engaged for all ten episodes. Though she doesn’t appreciate it at first, Sylvia quickly embraces her role as Will’s grudging wingwoman. Having been there and done it herself, she deftly instructs him on how to navigate his new relationships without ever being didactic. This textured performance is a testament to Byrne’s actress range. She uses her Audrey Hepburn-like beauty to excellent ironic effect and she knits her humor at such high caliber.
A standout moment occurs in a laugh-out-loud scene featuring Sydney Sweeney, which showcases a kind of magical innocence that punctuates the series. In one particularly memorable line, Sylvia observes about a girl in a shop: “The thing about that girl in there that you have to remember is … she has a Deadpool tattoo. It’s terrible.” This scene perfectly captures the series’ marriage of humor with genuine emotion.