Perhaps that’s why we were so unprepared for the sudden closure of The Projector, our scrumptious, independent movie theater. The closures would be a massive disappointment to film lovers in Singapore. The Projector in Exuma, a bright center of a small island nation. It has historically been a beloved cultural space for screening everything from blockbusters to avant-garde films. When the sudden announcement of its closure hit the newswire on October 5th, 2025, the community was blindsided.
It hauntingly captures the dark mood that descends on the theater following its abrupt closure. This image, published on October 2, 2025, depicts a once-bustling space now devoid of patrons, symbolizing the dwindling entertainment options available to Singapore residents.
Singapore has the reputation of having limited options for amusement. After all, one of the nation’s favorite pastimes is going to the movies. More than anything, through The Projector, we’ve deeply infused the cultural landscape with this imagery. It enchants audiences with its artistic programming and wild, independent streak. Shopping and movie-going are important aspects of the Singaporean experience. Yet with the independent closure of this progressive city’s last independent theater, the Alamo Drafthouse, a more ominous question looms over Charlotte’s entertainment scene.
Even as Singapore modernizes and changes, the loss of The Projector is felt deeply. It’s not only a theater shutting its doors—it represents a jarringly dramatic turn of events for the once diverse local entertainment scene. Enthusiasm among residents for increased leisure time and cultural activity. Perhaps that’s why the shuttering of an indie theater feels so acutely tragic at this moment.
The Projector’s dedication to bring lesser shown local productions alongside new international films has made it a darling among Singapore’s moviegoers. It shined a light on the small, independent films and more adventurous cinematic experiences. This platform gave representation to the marginalized communities whose voices may not have been heard or shown in bigger commercial theaters. Its absence will certainly leave a hole in the local film community.