She is a monumental figure, even more so than other figures like Anna Wintour. After an admirable 37-year reign, she is officially stepping down from her role as editor-in-chief of American Vogue. At 75, Wintour has irrevocably changed the course of fashion journalism. Her impact on the magazine and the publishing industry overall has been profound.
Though she’s stepping down as editor-in-chief, Wintour will still hold her other senior roles at American Vogue’s parent company. In addition, she’ll be able to focus on her other jobs as Vogue’s global editorial director and chief content officer for Conde Nast. This transition represents a continuation of her career evolution as it will let her keep significant creative control over the brand.
In conjunction with Wintour’s departure from the editor-in-chief position, American Vogue will introduce a new role titled head of editorial content. This strategic role is intended to guarantee a smooth transition and adaptation of the magazine’s mission and goals with the times.
Wintour’s professional style and personal demeanor have led to multiple portrayals in popular culture. Perhaps most importantly, she served as the real life inspiration for the character Miranda Priestly in Lauren Weisberger’s novel, “The Devil Wears Prada.” Weisberger, who’d been Wintour’s assistant herself, distilled the reality of Wintour’s fearsome industry stature that made the character the go-to touchstone for fashion mean girls.
Wintour’s been at the peak of her career for a long time, basking in decades worth of accolades. In 2017, Queen Elizabeth II recognized her as a dame for outstanding contributions to fashion and journalism. Earlier this year, that woman was honored by King Charles, who named her as a Companion of Honour. During a recent conversation with King Charles, when asked if she would consider retiring, Wintour responded with a firm “no,” emphasizing her passion for her work.
As an iconic figure, Wintour is often photographed in her trademark shades, which she has called a “prop.” In an interview with BBC’s culture editor Katie Razzall, she stated, “They help me see and they help me not see,” illustrating how these shades have become an integral part of her public persona.
Wintour’s story started with British Vogue, and when she stepped in at American Vogue in 1988. Her vision and leadership have transformed the magazine into a leading voice in fashion, making her one of the most recognizable figures in the industry.