The newly released "Emmanuelle" is a contemporary remake of the famed 1974 French-sploitation film of the same name. Directed by Audrey Diwan, known for her award-winning work on "Happening," this version presents a glossy yet dispiriting portrayal of the corporate world, set against the vibrant backdrop of Hong Kong. Featuring Noémie Merlant, celebrated for her role in "Portrait of a Lady on Fire," as the titular character, the film delves into Emmanuelle's erotic escapades in Bangkok, contrasting sharply with the original's tawdry allure.
Audrey Diwan takes a bold step away from her previous harrowing drama, embracing a narrative that explores the emptiness and superficiality of luxury hotels and corporate life. The setting in Hong Kong marks a significant departure from the original film's geographical context. Here, Emmanuelle navigates a world of opulence, engaging in provocative adventures while simultaneously critiquing the very environment she inhabits. Her interactions often occur within lavish settings, with her role demanding a certain level of cunning and, at times, malice.
Adding depth to the storyline, Will Sharpe portrays Kei Shinohara, an enigmatic engineer specializing in flood defenses. His character brings an element of intrigue to the narrative, though it remains entangled within the overarching theme of corporate disillusionment. This change in focus from the original film's unabashedly sensational approach to a more nuanced exploration of modern corporate dynamics presents a fresh, albeit somber, perspective.
The film's tone is deliberately dispiriting, reflecting on the vacuous nature of corporate culture. Diwan's direction eschews the flamboyant excesses of the 1970s version for a more subdued yet equally impactful critique of modern luxury and power dynamics. The juxtaposition of Emmanuelle's personal exploits with her professional demeanor offers a layered narrative that resonates with contemporary audiences.