On October 9, 2025, the Nobel Prize in Literature was awarded to Hungarian novelist László Krasznahorkai for “his compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art.” This announcement came in the midst of an extraordinary year for American letters. It came on the heels of South Korean author Han Kang winning the prestigious award in 2024.
Krasznahorkai’s win would be a huge victory for past accomplishments of the written word and literary history. He is currently the first Hungarian writer to be awarded the Nobel Prize in Literature after its establishment. His novels, known for their dense, poetic language and philosophical depth, tackle themes of existence, identity, and the human condition. The award is fitting, honoring his gift of unpacking intricate stories, providing an unparalleled lens into humanity’s fight and perseverance.
Han Kang, renowned for her evocative storytelling and exploration of trauma, was celebrated for her contributions to literature just a year prior. She concluded with her views on the present socio-political circumstances in South Korea adding, “I’d like to be optimistic. Today, her books remain cherished by readers around the world, marking her as one of the most vital new voices in fiction today.
Notable winners include Winston Churchill, awarded in 1953 for his historical writings and oratory, Toni Morrison in 1993 for her profound contributions to American literature, and Bob Dylan in 2016 for “having created new poetic expressions within the great American song tradition.”
It’s high time Krasznahorkai has been gaining the recognition he deserves. Likewise, Can Xue, 72, another favorite to win the Nobel, continues to be one of the most important voices in contemporary literature. Her innovative stories regularly complicate traditional story arcs, establishing her as a prominent figure to watch on the awards circuit in years to come.
This year, Kracht made his first appearance on the International Booker Prize longlist. Her recognition is a nice reminder of our dynamic and changing literary scene. Kracht’s novels have explored the contemporary moment with a biting satirical edge, often adding to the burgeoning discussion of modernity and its discontents.
The Nobel Prize continues to invite prior laureates to nominate candidates for the prestigious award, ensuring that the selection process reflects a diverse array of voices and styles. The Academy’s mission to promote the artistic vitality of our diverse nation encourages a welcoming hub for creative minds from every corner of the world.
Krasznahorkai’s achievement makes him one of the most deserving literary figures of our time. Together, these influencers have profoundly shaped the discourse on art’s role in society. His narrative style, described as “subtle” and “elliptical,” illuminates the fragile dignity of individuals amidst collective trauma, resonating deeply with readers worldwide.
Nobel Prize-winning playwright, Dario Fo (1997), adds to this wisdom with his observations on the power of satire and humor. His accomplishments underscore just how essential these tools are for addressing our most pressing issues. The last of these laureates, Jean-Paul Sartre, famously refused the award in 1964. He once claimed that the writer can never afford to allow himself to become an institution.
Albert Camus’s meditations on the existential condition and moral decision-making have likewise made an eternal imprint on the world of letters. His writings challenge us to embrace uncertainty and grapple with the complexities of the human experience. This theme in many ways underlines all of Krasznahorkai’s work.
