Russell Tovey, a prominent figure in the entertainment industry, shares his journey navigating the complexities of growing up as a gay man in the 1980s amidst the backdrop of Section 28 and the AIDS crisis. Tovey does not hold back in his search for predecessors during his formative years. He doesn’t shy away from detailing the struggles LGBTQ+ folks faced with the prevailing stigma and discrimination of that era.
Tovey’s upbringing was marked by deep shame and alienation. These feelings were nurtured by the toxic environment created by Section 28, legislation designed to prevent the ‘promotion’ of homosexuality. He recalls the emotional drain it exacted on him. He continues unapologetically, “I’m not taking pressure on it ’cause I don’t think I’m an evil person. This expression of hurt and yearning further reveals his need for belonging and understanding, which has motivated his work on behalf of the LGBTQ+ community.
The performer has a long and fruitful track record of playing queer roles across stage and screen. Most recently, he’s impressed on HBO’s “Looking” as well as the celebrated stage play “Angels in America.” His dedication to honest representation shines through when he says, “I’m just trying to find the truth of every character. I haven’t even touched upon how they carry themselves in that role.” Tovey’s role in the film “Plainclothes,” set in 1990s upstate New York during a time of undercover police entrapment of gay men, further reflects his dedication to telling important LGBTQ+ stories.
Tovey’s love for acting was ignited from a young age. He had been heavily influenced by movies such as The Goonies, Stand By Me, and Home Alone. He began his professional career performing in regional theatres. Subsequently, he landed a part in Howard Katz at the National Theatre in London. He shot to fame in 2004 when he originated the role of Rudge in Alan Bennett’s “The History Boys.” This role solidified his reputation as a remarkable actor.
In addition to his acting career, Tovey co-hosts the podcast “Talk Art” and has co-authored two books focused on art. His enthusiasm for ceramics is evident as he discusses artists like Lucy Rie, Florian Gadsby, and Edmund de Waal, showcasing yet another facet of his creative expression.
On Sunday Tovey was awarded “Man of the Year” at the Attitude Awards. In his acceptance speech, he unapologetically spoke about the urgent challenges that had long confronted the LGBTQ+ community. He directly addressed transphobia, acknowledging the strides that have been taken while stating there is still a long way to go. “As a community, we are quick to eat our own, I argue,” he says. Tovey calls for the community to come together, explaining, “United we stand, divided we fall.”
Tovey’s commitment to empathy and authenticity—as an artist, performer, and activist—shines throughout his projects to produce, and advocate for, a better world. I admire his commitment to truth—the brutal kind. He says it like this, “I just lead with empathy and I just try to be honest and authentic, and I hope that resonates.” He recognizes the need for solidarity in facing external challenges, urging fellow advocates to “kick outwards instead of punching inwards.”
The actor is also a proponent of mental health awareness, telling the Daily Mail that “everyone should get therapy as they leave school.” His focus on mental health dovetails with the underlying tenet that hope, he believes, is necessary to make change. He cites Harvey Milk when he says, “you’ve got to give them hope.” Fostering an inclusive economy This mantra captures his vision for a more inclusive future.
Animal welfare advocate Tovey’s bond with his pet dog Rocky grounds his story with an emotional connection, making it accessible for kids. Rocky, who is deaf and had an amputated leg, serves as a symbol of perseverance and positive companionship during hardships.